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Stream Coming to America Online

olivia4732977 — Wed, 13 Jan 2010 20:31:45 +0000

Stream Coming to America Online.

Movie Title: Coming to America
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Coming to America is available for streaming or downloading.

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No doubt at all that, ‘Coming to America,’ is one of Eddie Murphy’s finest movies of all. A just comedy classic, this film will have you rolling from inaugurate to execute at the zany characters and performance throughout.

The DVD itself, on the other hand, leaves worthy to be desired. As far as extras go the only ammenity offered is 1 lousy trailer. Also, the video transfer itself is far from pristine and the Dolby 5.1 audio track sounds like it could calm be sweetend up. Certain, i command the fact that this DVD was authored support in 1999 may clarify why the disc comes across as a bit musty in terms of bells and whistles, but with that being said, it’s high time for a satisfactory re-release to do this comedy classic some audio-visual justice!

This is one of my all time-favorite African-American movies. First of all, Eddie Murphy is hilarious (in all of his roles) . Arsenio Hall is a perfect foil for Eddie’s hijinks. Eddie let his pudgy range of talent note in this film; he played an innocent person who grows into a ancient adult fair in front of our eyes and realizes that there is a stamp to pay for love; whether or not you are born into royalty. This is one of those movies that a person watches over and over again and ends up reciting the lines as the movies is playing. James Earl Jones and Madge Sinclair are improbable in this movie as well as the King and Queen. Madge Sinclair was one of the world’s best actresses and I miss her greatly. She tells James Earl Jones “establish a sock in it, Geoffrey, the boy is in cherish.” Nobody can order that line to a gloomy king, except a dim queen. John Amos, (whom I have loved since Pleasant Times), is a huge actor as well. He plays the allotment of a shadowy businessman so well, and as a father he takes no stuff off of the King. He tells James Earl Jones, “I will shatter my foot off in your royal _____) ; now that’s a ghetto father for you. James Earl Jones knew where to intention the line with Cleo McDowell.

I also like the fact that the Kingdom of Zamunda was filled with kindness, and the people were ecstatic, the royal family was truly wealthy and had everything. You know, this movie is truly a fantasy and helps us hasten from our everyday lives. Honest to ogle the Queen and King eating breakfast and talking to their son on a “speaker phone” because the table is so long, is amusing. The King and Queen taking their entourage to Queens when they received the telegram to send $1 million to Semmi who had spent up all his pocket change is one of my celebrated scenes. That music that is playing during the sequence when the entourage arrives in Queens is so amazing, involving and swirling, I am buying the soundtrack impartial to gain that song. When I secure married, I would like that song to play as my “court” walks down the aisle before me.

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All the cameos in this movie are substantial as well. Nobody can play a doped-up thug like Samuel L. Jackson; Samuel is a natural at playing a killer. Also, Louie Anderson was comical, so was Eriq LaSalle, and Alison Dean.

Now the guys in the barbershop have to be taken from classic characters in the dim community. In all the gloomy neighborhoods I have been in during my whole life; there has got to be a sunless barbershop bulky of men eating, talking stuff, and cutting hair. When “Clarence” says that Martin Luther King, Jr. ran up to him and hit him in the chest, I objective crack up, cause Martin Luther King, Jr. was a prophet of non-violence. And, Eddie Murphy playing a white man is too humorous, and a Jewish white man on top of that. Now, that takes creativity; and laughable genuis, and Eddie’s got it. And, Arsenio’s portrayal of Rev. Brown is just on target, there is always some country preacher in the neighborhood that comes to every event, eats up the food, and blesses the weddings, blesses the children, and buries the slow.

One of my current parts is when Lisa tells Prince Akeem, she cannot marry him; because he lied to her about his identity. That made Akeem grow up very posthaste, and learn that nobody; no matter who he is, can remove appreciate.

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The clothes in this movie are also incredible. Deborah Nadoolman did a sizable job showing how royalty would dress in a foreign country where it is warm, Also, how they would dress in Queens during the winter; those fur coats Madge Sinclair had on were amazing and so were the suits dilapidated by the King himself. His coat of an entire lion’s skin was dramatic and the diamond eyes on that lion’s head were frigid.

The ending this cinderella myth was mammoth, fancy did really find out in the ruin.

Well, I could go on and on about how grand I liked this movie but, I am going to cessation now. Pick Up this movie and sustain it in your video collection so you can leer it and laugh over and over.
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Watch Arrested Development - Season One Movie Online

olivia4732977 — Tue, 12 Jan 2010 16:46:33 +0000

Watch Arrested Development - Season One Movie Online.

Movie Title: Arrested Development - Season One
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Arrested Development - Season One is available for streaming or downloading.

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ARRESTED DEVELOPMENT’s rocky history is well known. Loved by critics and its fans, it fought to rep an audience, and its final season was a short affair. However, the scuttle from the shows premier (included uncensored and expanded along with the aired version) to its conclusion (and, YES, it has a conclusion) is hilarious and worth many returns. There are so many jokes and resonating gags that multiple viewings are REQUIRED, but your first visit to the world of the execrable Bluth family will be a reward for weird viewers.

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Here are three seasons of laughs. The series begins with the arrest of the Bluth patriarch and continues as the clan’s only responsible member, Michael (portrayed by Jason Bateman), tries to retain the family’s business afloat while his mother, siblings, and other family members selfishly grab for every freebie and dollar. His mother, Lucille, is a cool, controlling alcoholic whose loyalty to her family keeps her one step from pure villainy. His siblings include an older brother, Gob, a magician (of microscopic skill), a younger brother, Buster, a mama’s boy who eventually loses a body fraction to a deplorable seal, and a sister whose marriage is … complicated. Throw in a long-suffering son infatuated with his cousin and an uncle who is the twin of his father, and you can contemplate how complicated Michael’s life becomes.

Not your average family, not your average TV comedy (this is NOT a sitcom performed live in front of a studio audience but is filmed more like a documentary with the camera floating around like an unseen voyeur — assume the ragged comedy series SOAP updated a la THE OFFICE) . The jokes approach lickety-split and wrathful. It’s all absurd and incredibly arresting.

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For the characterize, the series is presented widescreen, and there are deleted scenes and audio commentaries for selected episodes. To affirm you the truth, I haven’t even skimmed these extras, but I have watched the series in its entirety far too many times to jabber without embarrassing myself. It’s too poor that ARRESTED DEVELOPMENT didn’t effect the ratings important to withhold it afloat, but it has more laughs than comedies that lasted twice as long.

I arrived tedious to this dance. I don’t really have any structure to my TV viewing, other than Sunday nights on HBO. Despite reading certain reviews and hearing accolades for this reveal I missed the entire broadcast season. What that means to me is that I’ve impartial immersed myself in probably the funniest 22 episodes of broadcast comedy ever (that includes Seinfeld and the used Dick Van Dyke exhibit) . This first season is chock pudgy of running gags, absurd situations and some of the funniest deadpan dialog deliveries ever recorded on video. It’s impossible to single out a cast member because they all construct vital contributions, even the guys who drag on for a line or two. Watching them in sequence does acquire some continuity of epic but you’ll rep yourself returning to some special favorites. The bring your daughter to work episode brings out the absurdity of the whole practice while delivering some of the best laughs of the whole series. Occupy THIS!!!
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Trick ‘r Treat Movie Streaming

olivia4732977 — Mon, 11 Jan 2010 22:57:57 +0000

Trick ‘r Treat Movie Streaming.

Movie Title: Trick ‘r Treat
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Trick ‘r Treat is available for streaming or downloading.

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People all over the webbins have been talking about Trick r Treat for some time now - exploring conspiratorial notions on why the film has sat shelved for so long while rhapsodizing about unbiased how well X-Men 2/Superman Returns scribe Michael Dougherty’s directorial debut works. Having recently seen the film, I can assure you that I know why the film sat for years: It’s one of the more ruthless studio-funded fright films ever made. It’s not very gory or explicit at all - but it has a truly, deeply, terrible attitude. If William Gaines penned morality plays this venomous - to hell with the Comics Code. He’d have probably served time. Trick r Treat is overflowing with the kind of anarchic, mean-spirited hilarity that never sits well with the suits.

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One of the reasons the film feels so vile is that the people who populate the chronicle feel so utterly steady. It’s really hard to define without spoiling a lot of what makes it work so well, but - to give you an opinion - director Michael Dougherty explained to us that one of the notes he received during the production process was that the children he cast were “too young”. Couldn’t he compose the kids older? Couldn’t he cast hotter? That’s not to say that elements of the cast aren’t flat-out “foxy” (view the sexi-sexi of Lauren Lee Smith and Rochelle Aytes) but there are sequences in the film that work perfectly because they’re not about plasticine twentysomethings. Again - I can’t interpret exactly what I mean without doing you a disservice - but when you finally search for the film, you’ll understand completely.

Trick r Treat has been described in determined quarters as an anthology film - but that’s not wholly right. In truth, the film possesses a non-linear account structure - it’s more a Pumpkin Pulp Fiction than a Creepshow copy (though the EC Comics connection this film shares with Romero’s classic execute them kindred spirits - and a gargantuan double bill) . The film moves support and forth between tales that, at first, seem to be related only by the presence of the mysterious, malevolent puny creature seen in the film’s promotional materials. Over the running time, we advance to realize that the miniature creeper pops up for a reason - and even that detail is something I don’t want to spoil for you.

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Despite the aforementioned EC Comics vibe (wherein the table-turning jabber that hands the petty thief or adulterous couple their unprejudiced desserts is par for the course), the crooked twistiness of Trick r Treat peaceful manages to surprise. At different points during the running time, the audience could be heard to speculate on how they felt some swerve might play out - very early on, I had an notion of how I view the legend featuring Dylan Baker should extinguish - but I was convinced that there was no diagram my resolution would wing. That Dougherty was able to do exactly what favorite sense told me would be excised by an executive before it was ever filmed completely negated my anticipation of the last shot. The sequence ended the only scheme an concept of the alarm genre dictates it should - but instead of feeling “been there, done that” - the payoff plays like the reward for sitting through all of the committee-created genre projects that lack the spine to do it proper. Another express - easily the film’s most ravishing - made me feel like a complete idiot. Thinking about it now, I composed don’t understand why I didn’t call it with a chuckle the very moment Legal Blood’s Anna Paquin awkwardly stepped out of her fitting room to face the derision of her friends. At least I wasn’t alone - by the slay of her character’s arc, the audience I was fragment of sat in jumpy silence…then burst into reverent applause - a response based on elements converging in a perfect storm: a beautifully-shot and edited sequence featuring a astonishing revelation, a flawless mix of practical and computer generated imagery, an awesome character beat - and one super-cool line of dialogue. You could sell the film with that single scene…if it didn’t give so distinguished away.

The most shimmering thing about Dougherty’s film is how it uses Halloween holiday iconography to craft iconic visuals (if the film received the 3,000 hide release it so richly deserved, really frigid parents would be dressing their kids up as “Sam” for years) . It’s Jack O’ Lanterns and autumnal golds and vacuformed masks and flame retardant costumes that tie in the wait on and urban legends and classic monsters and inferior candy and everything else you know and adore about October 31st. As so many before me (including Dougherty himself) have said, this is not a film that takes region during Halloween - this is a film about Halloween. It’s about the reason for the season. Dougherty says his hope was that his film could become a Halloween holiday perennial - the one you notice every year. And trust me - it is. I’ll gape Trick r Treat every CHRISTMAS - because the film is a gift.

Jason Pollock

I had a chance to peek Trick ‘r Treat at the Midwest Premiere in Chicago on the spacious camouflage and I am mystified as to why this friendly film was never given a fat theatrical release? It far exceeded my expectations and I fill it to have already become a classic film for dread aficionados and lovers of the greatest holiday ever, Halloween.

The film is status up as a sort of anthology of short stories, yet they all intertwine and complement each other in the extinguish. There is some mountainous artwork in the tradition of Creepshow and at times reminded me of that film, but the main incompatibility is Creepshow’s stories are all their hold and Trick ‘r Treat follows one night with several groups and characters that each have their contain encounter with a very depraved character indeed. The film has lots of suspense, violence, gore, and some sexy nudity in one fable arresting werewolves. We also have a serial killer notable, some wicked teens trying to horror a nerdy girl, and a narrative told that is destined to be some type of urban sage in the future curious mentally disabled kids and a disastrous fate. The greatest thing about Trick ‘r Treat is its style and campy flavor that truly stuck to the sinister side of the tracks. The film was so great fun to inspect and destined to be a genre classic.

It’s too abominable that an current opinion comes to Hollywood and and they retort by not giving it a release in theaters and snubbing it. I was very lucky to explore it in a theater at all. It really is a shame Hollywood is only pumping out immoral sequels, remakes, and reinterpretations left and upright. I guess seeing indie flicks is the only satisfaction I will be getting anytime soon, for the major studios are filling the theaters with dead terror crapfests!
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Watch Standing In The Shadows of Motown Movie Online

olivia4732977 — Mon, 11 Jan 2010 02:20:20 +0000

Watch Standing In The Shadows of Motown Movie Online.

Movie Title: Standing In The Shadows of Motown
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Standing In The Shadows of Motown is available for streaming or downloading.

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I read a few reviewers questioning why the production didn’t involve the fresh singers to command the songs. Please brand that this documentary is about Funk Brothers. By using contemporary singers to accompany the unusual rhythm part, the film proves to the viewers how Motown music is in it’s musicians, especially the rhythm portion. Also if Diana, Stevie, or Smokey would rep on stage to articulate a song or two, they’d definitely inquire star treatment. This will DEFEAT THE PURPOSE.

For those who inquire of to know more about The Temps, Tops, Supremes, and Miracles etc., please either read their autobiographies, explore made-for-TV movies, or listen to their box sets. This movie is about the Funk Brothers, not Motown singers. This film is to celebrate the brothers’ contribution to American pop music and to finally validate their hard work, creativity, and how they influenced generations of future musicians.

If you watched a documentary, at least be aware of the subject matter before you criticize the production.

“Standing in the Shadows of Motown,” is an absolute delight. It’s the narrative of the “Funk Brothers,” an integrated group of musicians who were the soul leisurely the soul. As the house band for Motown they were the sound that propelled more number one hits than the Beach Boys, the Beatles, The Rolling Stones, and the gigantic Elvis combined. These guys invented the groove. The movie is a straightforward collection of conversations, documentary concert footage, and reunion concert footage, with a few dramatized bits thrown in for texture and silly relief. At the beginning of the movie, someone said that “Deputy Dawg” would have sounded safe backed up by the “Funk Brothers.” The point is proven by the reunion footage that has sterling singers giving outstanding performances with the most laid befriend band in the world. By the destroy of the movie you not only like and cherish these guys, you collect to ogle how worthy they liked each other. They had to. Not only were a few of the personalities vexed, but it seems they never stopped working, and had to supplement their Motown payroll with gigs around town. Leer this movie, eye who was standing slow the top soul singers of the 60’s and 70’s, and delight in the groove.
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42nd Street Forever 5: Alamo Drafthouse Edition Streaming

olivia4732977 — Sun, 10 Jan 2010 08:05:42 +0000

42nd Street Forever 5: Alamo Drafthouse Edition Streaming.

Movie Title: 42nd Street Forever 5: Alamo Drafthouse Edition
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42nd Street Forever 5: Alamo Drafthouse Edition is available for streaming or downloading.

Click Here to Stream or Download 42nd Street Forever 5: Alamo Drafthouse Edition

On my review for Volume 4, I stated that this series is starting to dwindle and needs a modern boost. My suggestion was for the folks at Synapse to go outside their boundary for Volume 5 and consume a different source for trailers that they normally would not catch access to. My wish came right and the Alamo Drafthouse Theater supplied the obscure goods. This is definitely one of the best exploitation home video trailer compilations I’ve ever seen. If you’re already a fan of the 42nd Street Forever series then there should be no hesitation to grasp. If you’re modern to the series, this is actually a titanic one to open with.

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We secure a lot of fun sets of sub-genres that continue the trend from the previous volumes. Martial arts, ninja movies, Sexploitation, uncouth budget Sci-Fi, 70’s explosive action, Italian Grindhouse and alarm are the main themes. This one is similar to Volume 3 but I like this one a lot more. Unusual ideas are brought to the table like Hicksploitation trailers (REDNECK COUNTY, MOONRUNNERS) . More 80’s B-action and exploitative fright that I never dreamed would spy on DVD such as (MEGAFORCE, SORCERESS, MIND WARP, SLAUGHTERHOUSE ROCK) . This collection also provides a lot of retro movie theatre cartoon ads for the different kinds of food being sold at the concession stand. The disc even starts with an unintentionally silly PSA ratings ad from Charlton Heston at a tennis court! As usual, there will always be a site of trailers that I would not care for such as the lost children films fraction. To my surprise, it was picked for a reason because those were also fun to discover. The digital remastering/transfers and the sound quality range from very expedient to tall. I noticed the main menu sound and trailer selection situation is a lot louder than the previous entries. The only special features is a 30 dinky documentary on the history of the Alamo Drafthouse and commentary from the owner Tim League and two of the main exploitation programmers Lars Nilsen and Zack Carlson. The commentary isn’t as fun but it’s worth at least one listen. These three talked more about an experience at a screening for the specific trailer and not detailed information on the movie itself like the previous commentators from Volumes 3 and 4 did.

I’ve never been to the Alamo Drafthouse in Texas but those of us here on the West Fly were treated to the experience because Lars and Zack came here for a tour called CinemaApocalypse wait on in April, 2009. I was able to back the San Francisco edition and it was the best Grindhouse film festival event I’ve ever had! They even talk about the Castro theatre screening on the special feature and how it was one of the highlights of their movie screening career. Going by my memory of the trailers that were screened at the S.F. edition, this DVD captures the fun and excitement when these guys save on a expose. I did procure Lars and Zack more comic and humorous on stage as hosts than they were as commentators on this DVD. If this will be the only Alamo Drafthouse edition for a trailer compilation, I search for forward to where the 42nd Street Forever series will go from here. This particular entry will always be my personal celebrated not only for the broad selection but also nostalgic reasons when I stare wait on at that special event in 2009.

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Trailer Highlights: LUCKY SEVEN, THE BODYGUARD, MISSION THUNDERBOLT, STACEY, ZEBRA FORCE, PUTNEY SWOPE, SLAUGHTERHOUSE ROCK, MIND WARP, REDNECK COUNTY, CAGED VIRGINS, Attractive MAIDS ALL IN A ROW, DANISH Appreciate ACTS, MACHINE GUN MCCAIN, THE SECRET OF MAGIC ISLAND

Synapse’s 42nd St Forever trailer comps have always been insanely spirited but I have to concur with the previous reviewer when he says this volume ups the ante. This is without a doubt the most “out there” of the series — well, except for maybe the XXX one. I haven’t even heard of half of these films (esp. the kung fu titles — whoa, check out that underage face plant at the waste of LUCKY SEVEN!) but I guarantee if you like this sort of thing, you won’t be disappointed. I even enjoyed the commentary.
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Watch The Wizard of Oz Online

olivia4732977 — Sat, 09 Jan 2010 14:01:14 +0000

Watch The Wizard of Oz Online.

Movie Title: The Wizard of Oz
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The Wizard of Oz is available for streaming or downloading.

Click Here to Stream or Download The Wizard of Oz

Like most baby boomers, I’ve watched this film dozens of times in the past on broadcast TV, then VHS tape, then LaserDisc … but I had never actually SEEN “The Wizard of Oz” until this newly restored DVD came out. It’s an incredible transfer. The sepia-tone Kansas sequences are startlingly keen and sure, and the Technicolored world “Over the Rainbow” is truly aesthetic. I found myself fascinated by details I had never noticed before: the glittering corn stalks in the Scarecrow’s field; the mirror-like floors of the Emerald City; the polished buttons on the guardsmen’s uniforms. Incredibly, even the individual grains of red sand in the Witch’s hourglass stood out and glistened! All these minor-but-sumptuous visual details served to heighten the magical spell that the film has always woven, enhancing the performances, the myth, and the music.

The DVD extras are a mind-boggling embarrassment of riches. The “Making Of” documentary hosted by the incomparable Angela Lansbury is worth the designate of the DVD alone, but there’s so distinguished more: an international poster gallery, interviews with cast members, deleted scenes, production stills, radio clips, etc, etc. There’s enough material to retain even the most casual viewer fascinated for hours, and a good Oz buff will be occupied for days!

If you only bought a DVD player to seek this one disc, it would well be worth the expense. Treat yourself, and plunge in fancy with this classic film again … for the first time.

I was objective critized for foisting off the following review of the 3-disk DVD position as a review of the fresh Blu-ray. I didn’t; Amazon did. As anyone who’s been here for a while will peer, Amazon throws all DVD reviews into the same bucket, regardless of the edition. So don’t blame me.

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I unprejudiced got the Blu-ray, and will have some comments on it at the destroy.

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There’s no need to discuss “The Wizard of Oz” itself, a classic among classics (though I’ll have something to say about its “philosophy” later on) . You probably want to know whether the UltraResolution transfer justifies the lift.

It does. Oh, yes it does.

“The Wizard of Oz” has always looked noble, one of the better Technicolor films. Unlike “Gone With the Wind”, which was generally dim and desaturated, and which UltraResolution greatly improved, I didn’t quiz remarkable enhancement for “Oz”.

Was I ever putrid. I stared with my jaw hanging initiate. “Oz” is the best UltraResolution transfer by far — and the others were not exactly chopped liver.

The improvement in detail and sharpness is startling, especially as the unique prints did not seem obviously lacking in either. Even more incredible is the expansion of the tonal scale. Black scenes (particularly those in the forest and outside the “witches” castle) are now filled with rich detail. Have you ever noticed how pretty the Winkies’ red, white, and gray uniforms are? I hadn’t — until now.

These enhancements combine create the biggest improvement of all — a major revelation of _texture_. The “feltiness” of many costumes is certain. The burlap of the Scarecrow’s face is now plainly visible, particularly in the close-up where he misstates the Pythagorean Theorem. And the Lion’s costume is a thick pile of fur you want to arrive out and stroke. You can spy every last strand of hair.

I’m exaggerating only slightly when I say the improvements of this UltraResolution transfer are not mighty less than those from cleaning the Sistine Chapel’s frescos. It’s as if layers of murk and grime — that you never even knew were there! — have been stripped away. Until you conception it, you cannot imagine what this film (that is, the novel camera negatives) _really_ looks like. It’s a shame the people who created “Oz” never got to survey it this scheme.

The image quality is so high that I often felt as if I were looking through a window at live performers. (Well, almost.) No matter what versions you already have, you won’t be disappointed with this one. I watched it twice in two days, and I might even belief it a third time tonight.

My only quibble is that several matte paintings do not blend properly, because the hues at the join lines do not match those of the scene. This could have been fixed; I suspect it seemed too considerable work for a cramped improvement. (A friend suggested that these sorts of things are left in because videophiles luxuriate in finding them.)

As to the differences between the two- and three-disk sets… The latter includes a packet of recent programs and promotional material of the sort we haven’t seen in 40 years ago. (Remember the 50-cent deluxe programs for road-show films? ) There’s also a status of 10 reproductions of Kodachrome publicity photographs. For this viewer, these extras alone account for the higher tag.

The third disk will be of most interest to lovers of all things Oz. It includes a handsomely produced biography of L. Frank Baum (enthralling enough that you might want to inspect it more than once), plus all the soundless Oz films and a Technicolor Oz cartoon. The existence of these is eminent to anyone familiar with the history of Oz productions, but they’ve never appeared (as far as I know) in any home-video format.

The films are problematic. The two from Baum’s production company are the best — they have style, charm, and imagination. The others are cheesy ripoffs that fill cramped relation to the fresh book. The Larry Semon — a once wildly-popular but now virtually forgotten cartoonist and humorous * — version is especially irascible, as it is small more than a vehicle for Semon’s notice of physical comedy. The Baum estate is at least partly to blame — _any_ movie version must have seemed more graceful than none, especially as the technology to acquire a convincing version of “Oz” would not exist for another 15 years.

The film’s opening titles praise the book’s “salubrious philosophy”, which seems to be either “You already have everything you need to be glad”, or “The acknowledge to your problems lies within yourself”. These are not so worthy “valid” as reflections of the hard-nosed “All your problems are your acquire fault” and “If you’re not a success, it’s because you’re idle” homilies that grew out of the stout opportunity for personal development and material success this country offered.

I beget L. Frank Baum had something a bit different in mind. “The Wizard of Oz” is a fairy narrative in which magic has no bearing on the issues at the center of the memoir. I own Baum wanted to discourage children from fantasizing that magic could be a solution to one’s problems.

So… he has the four principals produce a grueling flow to the Emerald City, then obtain the wizard is a humbug. (What a shame the blander “false”, “fraud”, or “phony” have replaced that enjoyable word.) He posesses no magic to supply wit, care for, or grit, which the Scarecrow, Tin Woodman, and Cowardly Lion have demonstrated they already have.

Baum’s “fair” is simple — Admire, wisdom, and courage are what we need to fetch through life. No one can _give_ them to us, because we _already_ own them, and all we need to do is state them.

“Is that factual? ”

“That’s all it is.”

Now… the put a question to you’ve been waiting for the reply to… Is the Blu-ray status worth the trace?

I viewed the Blu-ray on a Pioneer 60″ Pro Kuro, fed from a Sony BDP-S550. I also watched the DVD on the Pioneer (fed from the same Blu-ray player), and on a 36″ Sony 400-series WEGA “improved definition” TV (fed from a Sony DVP-S7000) .

The DVD remains a terrific DVD, and looks terrific on a high-quality 480i monitor. (Peer the preceding review.) It was, and quiet is, a demo-quality DVD.

When played on the BD player, and upconverted to 1080p, the DVD’s image on the Kuro is glorious darn suited — the sharpness and detail are at least “acceptable”. But when you play the Blu-ray disk, the image goes from “acceptable” to almost-startling. Two examples… Notice the enhanced detail and texture in the weather-beaten wood above the WWE’s uninteresting legs. And in the crowd scenes, you can gape (honest about) every Munchkin face. There is virtually no smearing of detail.

So… should you speed moral out in a buying frenzy and regain the BD edition? It depends.

The DVD is apt enough for an beneficial portray on a high-quality SD monitor. But even upconverted, it isn’t gracious enough for a _large_ HD prove. If you have, say, a 40″ display; your BD player has a excellent upconverter (not all do) ; and you don’t sit “on top of” the cover (as I do) ; you might study cramped dissimilarity between the DVD and the Blu-ray.

But if you’re a video fuss-budget (as I am) and sit closer than the “experts” recommend (why _shouldn’t_ you? ), you will almost certainly steal the Blu-ray. It’s your call.

A few remarks on the extras… The wristwatch, as the kid in the Ally bank commercial says, is a allotment of junk. The invent shows no particular style, wit, or imagination. And as others have said, “The Dreamer of OZ” is a sorrowful transfer, very badly unpconverted to 1080. It is not of acceptable quality, and should have been set aside on the DVD disk.

I will arrive help later (I hope) with some more comments on the sound and the other extras. Forcing yourself to repeatedly ogle tremendous chunks of a movie, regardless of its quality, is an ennervating experience.
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Before Sunrise Streaming

olivia4732977 — Fri, 08 Jan 2010 22:57:40 +0000

Before Sunrise Streaming.

Movie Title: Before Sunrise
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Before Sunrise is available for streaming or downloading.

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When I heard the record line for Before Sunrise, a slacker American played by Ethan Hawke falls in treasure in Europe with Julie Delpy, I rolled my eyes. But this is a thoughftul and compelling movie that broke down my skeptical and cynical wall. First, the movie takes us through the awkward stages of two people going from being perfect strangers to removing their bear walls and falling in admire in a scheme that is never sappy. Using this falling-in-love motif, the director/writer Richard Linklater addresses several profound themes: the nature of time, the conflict between cynicism and romance, the obsession with death, the shortcomings of “adulthood.” The dialogue between Hawke and Delpy is philosophical but never too abstract; it seems to stem from their well-drawn characters. I convey there’s a parallel between the breaking down of my occupy cynicism and the characters’. They have been pain by life, have establish up their walls, and, through their discussions, they have gradually removed those walls so that by the movie’s slay you assume it’s a crime if they don’t tumble in worship and live happily ever after. But the movie is more complex than a joyful ending. The movie forces you to ask if their worship would survive if removed from the brief ecstasy of their single day (and night) together. Is the brevity the cause of their ecstasy? Would a life of marriage disintigrate into the mundane? The characters struggle with these questions in what is my celebrated romantic movie.

At first, I was surprised I was even watching this movie. I’m older now. Been married for 20 years. Not really into “chick flicks” but something about the dialog between these two young people caught my attention when I surfed into this movie. These kids were truly something. The young lady was everything I would want my daughter to be. Lustrous, remark, fine, unprejudiced, independent and sensible. She was a lot of fun to listen to. The boy was beneficial and really seemed to care for this girl. I hope my sons treat the women they plunge in care for with with the same respect. Why would a middle age guy like me like this movie? I believe it took me assist to a time where I remember feeling the magic and excitment from meeting someone for the first time. It was exquisite nice to feel this again for a short time. I guess I forgotten how it felt to be so intrigued by someone that nothing else in the world mattered. It was rare to have this feeling and something that we will all remember when it does happen….or something we would want to experience again. It’s like a gift. It reminded me of that Neil Young song Like a Hurricane…..”…that magic moment true before you kissed my lips, time honest slips….”. I hope I remeber the words honest. This is truly an kindly movie with grand dialog. A just gem in a world of noxious, corny movies minus the breast shots and gratuitous sex scenes. None of that in this movie. Impartial a very just and natural progression in a short-term relationship that both charactures really bask in.

This is unprejudiced a very apt movie. Perhaps one of the best I have ever seen. Not positive why it’s rated “R”. Perhaps some of the language but I have heard worse in my son’s Jr. High School.

Watch this movie and experience a extraordinary feeling that you probably haven’t experienced in years or maybe never experienced but want to. It makes this guy be pleased the woman that I have a petite bit more than I did.
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Streaming Up Online

olivia4732977 — Fri, 08 Jan 2010 05:30:59 +0000

Streaming Up Online.

Movie Title: Up
Average customer review:

Up is available for streaming or downloading.

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Here’s a movie for dog lovers, the elderly, children of divorce, FOBs (Friends of Birds), ancient Boy Scouts, people yearning for adventure, and anyone who has ever loved… and lost. Up is for everyone. It made me laugh out loud, and it made me scream.

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I understanding it would be tough for Up to match the emotional power of Wall-E. The two Pixar films are similar in their lack of dialogue in the first act, which helps deepen the emotional impact. Up begins with Carl, a stupefied young boy star-struck by a eminent explorer; and kookie Ellie, who has a similar obsession. The two kids become quickly friends, and affirm to one day go to Venezuela’s Paradise Falls. After getting married, they remove their dream home and fix it up, hoping to absorb it with children. Carl and Ellie’s life together from childhood through ragged age is depicted, silently, with delicacy and subtlety. The first 15 minutes is like a celebration of a glad marriage, and you truly feel Carl’s wound when he is left alone. He sits slumped in his chair, talking to the house as if it is the missing Ellie.

When developers halt in on Carl’s beloved home, he decides to fulfill his promise to Ellie and go to Paradise Falls. A obsolete balloon vendor, Carl lifts his home with hundreds of knowing balloons. Stowing away on the porch is Russell, a stout, fearless kid trying to accumulate a scouting badge.

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After landing in Paradise Falls, the musty man and the limited boy are joined by a golden retriever named Dug who can talk with his collar, and a astronomical rare bird that bonds with Russell (he names her “Kevin”) . Dug is priceless: spot-on for every dog that ever lived, including an obsession with squirrels. Through a series of stop calls and adventures, the quartet vanquishes a villain, saving the day. And Russell earns his scouting badge.

In the process, Carl learns to let go of his dark mourning for Ellie, and live life again. When this happens, a truly magical thing happens. Before, Carl’s craggy face is gray and monochromatic. At the moment of his transformation, Carl’s face is awash in color, and he is surrounded by resplendent hues. It reminded me of The Wizard of Oz, when Dorothy steps out of her gray world and into a candy-colored Munchkinland. Carl, too, enters a whole modern world.

Up is a deeply emotional film, elephantine of truth. It’s the year’s best film. Net another triumph for Pixar.

Someday, Pixar is going to do it — they’re going to make an emotionally uninspiring, lackluster curious movie. But in the meantime, they’re aloof putting out delicious challenging movies like “Up,” which defies the usual kid-movie conventions by starring a crotchety conventional man. It’s a charming, fun shrimp adventure sage with flying dogs and balloon-powered houses, but underlying it is a bittersweet cramped fable about loss and fancy.

As a child, the haunted Carl Fredricksen bonded with the oddball Ellie over their shared adore of adventure, the explorer Charles Muntz, and Paradise Falls. They later married, proceed into their “clubhouse” together, and lived a long, sadly childless life together. When Ellie died, she had never fulfilled her dream of going to Paradise Falls.

Now crotchety, alone and harassed by a actual estate developer, Carl (Ed Asner) is finally ordered to a retirement home. But he isn’t going quietly — instead he attaches thousands of balloons to his house and floats it away toward South America. But he accidentally takes an eager, naive Wilderness Explorer (a thinly-veiled Boy Scout) named Russell (Jordan Nagai) along for the traipse. Dreadful kid was unprejudiced trying to accumulate an “assisting the elderly” badge.

And the jungle creep to Paradise Falls turns out to have some surprising obstacles: a broad emulike bird that Russell names Kevin, a talking dog named Dug (”I am jumping on you, bird!”), and a mysterious musty man who lives deep in the heart of the jungle. Turns out the traditional guy is very familiar to Carl — and to pick Kevin, he’s willing to sacrifice Carl and Russell.

Industry experts were babbling about how “Up” wouldn’t be as celebrated as the previous Pixar movies, because the protagonist is basically a crusty former coot. Well, shows what they know. It ended up becoming one of those classic movies that somehow appeals to all ages — while the humor and action appeal to children, adults can bask in Carl’s fancy for his lost wife, and his dreary realization that he’s clinging to the past.

In fact, the first ten minutes are some of the most heart-tugging, quietly bittersweet scenes I’ve seen in a long time. Without a word, they explain all the ups and downs of a realistic marriage — joys, sorrows (Ellie’s inability to have children), growing obsolete together, and finally loss.

But it’s not a depressing movie by any stretch — in fact, it’s like a childhood fantasy advance to life, complete with a floating house suspended on hundreds of balloons, and biplanes piloted by a talking dog army.. Plenty of enormous dialogue (”Do you want to play a game? It’s called Contemplate Who Can Go the Longest Without Saying Anything.” “Cold! My mom loves that game!”) and an action-packed climax in an traditional airship.

Ed Asner is absolutely perfect as ubergrouch Carl — crotchety, grumpy, and clear to fulfill his wife’s lifelong dream, but gradually realizing he’s clinging to the past. Nagai is equally perfect as Carl’s polar opposite: a naive, chattery Scout who is certain to reunite Kevin with her baby chicks. And the utterly adorable Dug and the other dogs deserve special glance. These creatures are utterly hilarious — they talk (”I hid under your porch because I esteem you”) and act the method dogs would if they talked. Three words: cone of shame.

The two-disc edition is going to have some very nice extras, but once again people with regular-def DVDs are going to catch shafted because the Blu-ray edition will have a bunch of outlandish stuff. Grr. As for this one, there’s a digital copy, the director’s audio commentary, kinda-alternate-ending “The Many Endings of Muntz,” and the documentary “Adventure Is Out There” about the research for this movie.

There are also a pair of adorable tantalizing shorts. “Partly Cloudy” has a much-abused stork having to grunt potentially rank baby creatures from a kind but clueless cloud. And “Dug’s Special Mission” is a sort of backstory for the adorable Dug, explaining what the heck he was doing before he met up with Carl and Russell.

“Up” continues Pixar’s running tally of gloriously arresting, emotionally layered movies that the entire family can luxuriate in. With that, I have only one more thing to say… SQUIRREL!
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Watch Azumanga Daioh - The Animation Online!

olivia4732977 — Sun, 03 Jan 2010 20:21:49 +0000

See Azumanga Daioh - The Animation Online Right Now!

Based on a comic by Kiyohiko Azuma, Azumanga Daioh is the anime equivalent of a ’50s girls’ novel. Ten-year-old prodigy Chiyo and transfer student Osaka join the crowd at a Tokyo high school, adding to the comic misadventures. Their hard-drinking, potty-mouthed English teacher Yukari resents the popularity of the saner gym teacher Nyamo, even though they’re old friends and former classmates. Azumanga lacks any sort of sustained storyline or character development; it’s just a series of incidents and encounters involving the kids and the two teachers. The only recurring male character is the leering Mr. Kimura, who teaches because he likes to ogle the students. Adolescent girls may enjoy sharing the featherweight daily problems of Tomo, Yomi, Sakaki, Kaorin, Chihiro, Chiyo, and Osaka, but Azumanga Daioh isn’t really about anything. (Rated 13 and older: profanity, alcohol use, minor risqU humor) –Charles Solomon

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Azumanga Daioh - The Animation was agreeable! You have to make certain this movie! A sterling performance by John Swasey & Chris Patton make Azumanga Daioh - The Animation a “should plumb” movie!

The stunning cast includes John Swasey, Chris Patton, Koji Ishii, Christine M. Auten, Tiffany Grant. This cast just make Azumanga Daioh - The Animation the more awesome!

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Streaming Glee, Vol. One: Road to Sectionals Online

olivia4732977 — Sat, 02 Jan 2010 03:02:25 +0000

Streaming Glee, Vol. One: Road to Sectionals Online.

Movie Title: Glee, Vol. One: Road to Sectionals
Average customer review:

Glee, Vol. One: Road to Sectionals is available for streaming or downloading.

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I am guessing it isnt out till after Xmas because in America the final of the first thirteen episodes that feature on this disc wont be aired till unbiased before Christmas. Makes sense. Gigantic that all 13 episodes will be on the disc as in Australia only 9 episodes will be aired before our destroy of the year ratings where everything goes off till mid Feb. It’s a immense series, would almost be worth to have a “Thats Glee-tainment” disc fair featuring all the music numbers. My personal favourite for staging and conclude - so far “Support Holding On”.

Utterly vivid, insightful, poignant and amazing! Although it hasn’t been the beefy season yet, the first 13 episodes and the outpouring of wait on on I-Tunes with the show’s songs have proven that “Glee” is a force to be reckoned with. Created by Ryan Murphy (Nip/Tuck), the present follows the William McKinney HS club led by Will Schuester (Matthew Morrison) who finds something special and astounding in each of the Glee members. Sue Sylvester (Jane Lynch) is head of the school’s cheerleading team and fraction co-sponsor who hilariously never ceases to plan to capture out the Glee club. Emma Pillsbury (Jayma Mays), the “doe-eyed spruce freak”, is the school’s counselor who finds herself becoming closer to the club than expected. Jessalyn Gilsig (who portrays Will’s wife, Terri), is supportive of her husband’s decision to choose over Glee but becomes selfish in her hopes to open a family. Rachel Berry (Lea Michele) displays her abilities as a diva and proves that she is confident in her talents and goals. Finn Hudson (Cory Monteith) reluctantly joins the club and ends up having to originate a decision between Glee and football. Mercedes Jones (Amber Riley) is proud of having an independent spirit and her vocals are out of this world. Kurt Hummel (Chris Colfer) struggles to admit his sexual orientation but his passion for the music is animated after he joins the football team and teaches them a thing or two about dancing. Noah Puckerman (Imprint Salling) is Finn’s best friend who at first, dislikes the club for it’s flamboyancy, but has a change of heart for a very different reason. Quinn Fabray (Dianna Agron) is the all-American cheerleader who is head of the celibacy club and joins Glee to wait on Sue in taking the club down. Tina Cohen-Chang (Jenna Ushkowitz) is another fellow Glee-ster who wears Gothic clothes regularly and has a speech impediment who becomes a suited adversary for Rachel. Artie Abrams (Kevin McHale) is a handicapped student who reaches out to the club in proving that his disability hasn’t small him in being an outstanding guitar player and singer. There were so many moments that were so touching, laughable and all-around joyous that it’s hard to completely mention. From laugh-out-loud musical numbers of Salt-N-Pepa’s “Push It” to the momentous hit of Journey’s “Don’t Halt Believin’”, the tie-in soundtrack is a MUST for any die-hard fan of the reveal! The ultimate breakout wreck of the ‘09-’10 TV season, “Glee” is THE explain you don’t want to miss.
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